Ceramics and globalization: Staffordshire ceramics, made in China
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London
9781474289924
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Includes bibliographical references (p. 187-197) and index
Neil Ewins’ study of the Staffordshire potteries in a period of great global change traces how ceramics production has been affected by globalisation in both familiar and unexpected ways.
Although many manufacturers such as Wedgwood initially moved production to cheaper labour markets in East Asia, others remained in or returned to England once it became clear that outsourcing manufacturing was affecting the brand value and customer perception of their products. Neil Ewins explores the complex behaviour of the UK ceramics industry, using a combination of evidence from the press, trade journals, ceramic objects, and primary interview evidence of manufacturers, retailers and a ceramic designer.
Ewins suggests that, although the surface designs of UK ceramics invariably reflect diverse cultural and stylistic influences, a notion of authenticity often still resides in the place and context in which the ceramic product was originally made. Overall, the book argues that UK ceramics remain culturally complex because of issues of supply and demand, and ties to heritage, imagined or otherwise. Within a context of globalization, the book highlights compelling issues which have huge ramifications on UK manufacturing futures.
Although many manufacturers such as Wedgwood initially moved production to cheaper labour markets in East Asia, others remained in or returned to England once it became clear that outsourcing manufacturing was affecting the brand value and customer perception of their products. Neil Ewins explores the complex behaviour of the UK ceramics industry, using a combination of evidence from the press, trade journals, ceramic objects, and primary interview evidence of manufacturers, retailers and a ceramic designer.
Ewins suggests that, although the surface designs of UK ceramics invariably reflect diverse cultural and stylistic influences, a notion of authenticity often still resides in the place and context in which the ceramic product was originally made. Overall, the book argues that UK ceramics remain culturally complex because of issues of supply and demand, and ties to heritage, imagined or otherwise. Within a context of globalization, the book highlights compelling issues which have huge ramifications on UK manufacturing futures.
1 online resource (xiv, 206 p.)
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Front matter
Introduction 1–8
1. Globalization, the Ongoing Debate 9–20
2. The Traditions—Far Eastern and Staffordshire Ceramics 21–51
3. The Rise of Outsourcing UK Ceramics 53–77
4. The Impact of Far Eastern Outsourcing on the Marketing of UK Ceramics 79–92
5. Outsourcing and Its Impact on the Design Process 93–103
6. Accentuating Place of Origin 105–130
7. The Impact of Far Eastern Outsourcing on UK Ceramic Demand: The Retail Perspective 131–151
8. UK Ceramic Manufacturing in Relation to Consumer Perception 153–178
Conclusion 179–186
Back matter
Introduction 1–8
1. Globalization, the Ongoing Debate 9–20
2. The Traditions—Far Eastern and Staffordshire Ceramics 21–51
3. The Rise of Outsourcing UK Ceramics 53–77
4. The Impact of Far Eastern Outsourcing on the Marketing of UK Ceramics 79–92
5. Outsourcing and Its Impact on the Design Process 93–103
6. Accentuating Place of Origin 105–130
7. The Impact of Far Eastern Outsourcing on UK Ceramic Demand: The Retail Perspective 131–151
8. UK Ceramic Manufacturing in Relation to Consumer Perception 153–178
Conclusion 179–186
Back matter
| Access no. | Call number | Location | Status |
|---|---|---|---|
| 00270/20 | 338.476663942 Ewi C | Online | Available |