What This Book Holds --
Working Definitions --
1.What's in a Page: Close-Reading Comics --
Cognitive Processes and Critical Terms --
Navigating the Comics Page --
Entering the Storyworld and Meeting its Participants --
Comics Analysis --
A Basic Checklist --
2.The Way Comics Tell it: Narration and Narrators --
Showing and Telling --
Story, Discourse, and Plot --
The Narrator --
Narration, Focalization, and Point of View --
Narrative as Meaning-Making --
Graphic Narrative --
A Basic Checklist --
3.Narrating Minds and Bodies: Autobiographical Comics --
Style and Subjectivity --
Autographic Agents --
Embodiment --
Self-Reflexivity --
Time, Story, and History --
Alternative Agendas and Authenticity --
4.Novels and Graphic Novels: Adaptations --
Transporting Stories --
Media Affordances and Adaptation Strategies --
Fidelity in Adaptation --
Literary Complexity --
The Page Revisited --
5.Comics and Their History --
The Beginnings of Comics History Precursors in Emergent Mass Culture --
Newspaper Comics (1900s-1930s) --
The Comic Book (1930-54) --
Comics Censorship (1954) --
Comics as Popular Culture --
Breaking the Code 1 Pop Art and Underground Comix --
Breaking the Code 2 The British Invasion --
6.The Study and Criticism of Comics --
Resources for Studying Comics --
Access to Comics Texts --
Critical Work on Comics --
Critical Approaches to Comics --
Comics Semiotics --
Comics Narratology --
Cognitive Approaches to Comics --
Historical and Auteurist Approaches --
Cultural Studies and Gender Studies --
Psychoanalysis --
How to Write Your Essay on Comics --
The Crime Scene --
The Witnesses --
Making Your Case --
End Credits.
Access no. | Call number | Location | Status |
---|---|---|---|
00528/17 | 741.59 Kuk S | Library - 7th Floor | Available |