Zornado, JosephReilly, Sara
Springer International Publishing (Cham, Switzerland , 2021) (eng) English9783030854584Unknown1st ed.PSYCHOANALYSIS; UnknownThis book analyzes the cinematic superhero as social practice. The study’s critical context brings together psychoanalysis and restorative and reflective nostalgia as a way of understanding the ideological function of superhero fantasy. It explores the origins of cinematic superhero fantasy from antecedents in myth and religion, to twentieth-century comic book, to the cinematic breakthrough with Superman (1978). The authors then focus on Spider-Man as reflective response to Superman’s restorative nostalgia, and read MCU’s overarching narrative from Iron Man to End Game in terms of the concurrent social, political, and environmental conditions as a world in crisis. Zornado and Reilly take up Wonder Woman and Black Panther as self-conscious attempts to reflect on gender and race in restorative superhero fantasy, and explore Christopher Nolan’s Dark Knight trilogy as a meditation on the need for authoritarian fascism. The book concludes with Logan, Wonder Woman 1984, and Amazon Prime’s The Boys as distinctly reflective fantasy narratives critical of the superhero fantasy phenomenon.
Physical dimension
1 online resource (vii, 215 p.)UnknownUnknown
Summary / review / table of contents
Chapter One:- Introduction: A Plague of Superheroe
Chapter Two:- The Superhero with a Thousand Faces
Chapter Three:- Fantasy and the Working-Class Superhero
Chapter Four:- Fantasies of the Anthropocene
Chapter Five:- The Cinematic Superhero as Other
Chapter Six:- Superhero Fantasy in Crisis
Chapter Seven:- Conclusion: Destroy All Monsters!