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Craziness and carnival in neo-noir Chinese cinema

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Kuoshu, Harry H. Unknown Springer International Publishing (Cham, Switzerland , 2021) (eng) English 9783030730819 Chinese literature and culture in the world 1st ed. LITERATURE--PHILOSOPHY; Unknown Craziness and Carnival in Neo-Noir Chinese Cinema offers an in-depth discussion of the “stone phenomenon” in Chinese film production and cinematic discourses triggered by the extraordinary success of the 2006 low-budget film, Crazy Stone. Surveying the nuanced implications of the film noir genre, Harry Kuoshu argues that global neo noir maintains a mediascape of references, borrowings, and re-workings and explores various social and cultural issues that constitute this Chinese episode of neo noir. Combining literary explorations of carnival, postmodernism, and post-socialism, Kuoshu advocates for neo noir as a cultural phenomenon that connects filmmakers, film critics, and film audiences rather than an industrial genre.

Physical dimension
1 online resource (xi, 158 p.) Unknown ill.

Summary / review / table of contents

Chapter 1: Introduction: Crazy Stone Phenomenon and Chinese Neo-Noir Comedies --
Chapter 2: Prelude: Rehumanization Craziness and Traditional Noir --
Chapter 3: Discourses: Crazy Stone Dropped in a Postmodern Pond --
Chapter 4: Films: Because of Crazy Stone --
Chapter 5: Dual Retrievals of Cinematic Craziness: A Coda.


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Access no. Call number Location Status
00835/21 791.43655 Kuo C Online Available